All Posts

Every year around this time, Portugal starts showing up on more production mood boards. The weather improves, the days get longer, and the images people associate with Portugal begin to feel more real. Blue skies, outdoor cafés, coastline, tiled streets, warm evenings, and that easy summer energy people are often looking for. And to be fair, much of that is real. But as summer approaches, it also helps to understand what filming here actually feels like once the season begins

When teams start planning a shoot in another country, one of the first questions that comes up is simple. Should we bring our own crew, or hire locally? There isn’t one answer. It usually depends on the type of project, the size of the team, and how closely people want to control every part of the production. Recently I had a meeting with a travel production company based in the United States that was planning to film in Portugal. Their approach was interesting because they w

You hear it all the time. Portugal has 300 days of sun. Endless blue skies. Warm light. Golden evenings. And then you arrive in January: It rains for three days straight. The sky turns grey. The cobblestones are soaked. You start wondering if someone mixed this place up with somewhere else. So what is it actually like filming here in winter? First, yes. It rains. Especially in the north. This year Central and Southern Portugal were hit hard with multiple storms. Weeks can go

Coming to Portugal for a shoot isn’t about locking everything down the moment you arrive. It’s about giving the story space to settle. The pace is slower, the light changes subtly throughout the day, and locations tend to reveal themselves through small details rather than big gestures. When you stop trying to control every moment and start paying attention, the place begins to support the story in quiet, unexpected ways.